- All Hail the Defiant Fictional Weirdness of Queen by Robert Repino at Tor.com – An exploration of the use of Queen’s music in science fiction films, and science fiction themes in Queen’s music. He left out Freddie Mercury’s contributions to the soundtrack album for the 1986 West End science fiction musical Time, which was a sort of Dr. Who-ish thing involving Dave Clark, Cliff Richard, David Cassidy, and the videotaped head of Laurence Olivier.
- “LiveJournal represents social media without borders” – Discussion on Metafilter of the implications of LiveJournal’s servers physically moving to Russia. Tl;dr: This probably affects Russian users more than North American users, but it has caused a steady stream of people to port their accounts over to Dreamwidth.
- “Fish and Brewis is the dish that Newfoundlanders yearn…” – Great piece on a national dish and its World War I history by Larry Dohey at Archival Moments.
- I participated in the local March Against Hate on MLK Day that the Village Voice profiles in “A March Against Hate Shows Bay Ridge Grappling with Trump’s America”. It was pretty positive.
- Philip Kennicott at the Washington Post reported on the apparently deliberately offensive choice of 19th-century American painting by George Caleb Bingham to serve as an inaugural backdrop.
I went to see The Proclaimers on Saturday night. They were fantastic, as always: pure and joyful. Their set was lengthy and included lots of songs from their new album. I hadn’t even realized they had a new album, which I am now adding to my Apple Music playlists. Last time I saw them (at The Bell House), they were mostly acoustic. This time they had a magnificent full band: Stevie Christie on keyboards, Garry John Kane on bass, Zac Ware on guitar, and Clive Jenner on drums (with drum solo finale!). Terrific show.
They played at the Gramercy Theatre on 23rd Street, and on the way in I thought the security was a little much: bag searching and wanding and wrist banding a crowd of mostly middle-aged people. (The Reid brothers are in their mid-50s.) Afterwards, the security precautions seemed prescient given the bomb that went off a few blocks away. I thought I heard a big boom shortly before the band went on, but no one else seemed to be reacting so I assumed it was an equipment setup sound from backstage, or something connecting to the sound system. Leaving the theatre, the street was blocked off heading west, with lots of police and sirens racing that way, but I assumed it was political motorcades. I didn’t hear about the actual bomb until fellow commuters clued me in on why there were so many subway reroutings. I didn’t even have enough information to be frightened until I was well out of harm’s way. I feel lucky and grateful, both for the music and for my blissful ignorance of the evening’s scary events.
Shockingly upset over Bowie’s untimely death.
This fanwork image was one of my user icons online for awhile. I love this album so much. Just so sad.